elizabeth.

did you know, she said, that i have been so hungry for so long, from birth, i think, that i have fed all the soft parts of me to a hundred, maybe more, and it is never enough when the light breaks, and i am never enough, and only one of us leaves with a full belly and it is never me.

it is never me who knows what it feels like to be enough, to be just right and not too much, or too little, and i don’t know how to get all my pieces back, how do i find myself again, and my heart needs them back, because these holes are too big now and the wind blows right through them, and late at night, when all those people are walking through my head with their hungry bellies and their dirty feet, i can’t sleep for the sound of the wind weeping through those holes, my holes, and right through me, and perhaps it is me, i don’t know anymore…

and all i could say was, i know.

i know.

me too.

— elizabeth.

© Liezel Graham 2019.

Photograph by Dominika Roseclay.

when the woman learned the lesson once again.

the woman said, i woke up wise one morning a long time ago, after i walked into a man, and got lost, and again today, because i don’t know why, but i forget this lesson so

often, and every now and then, when the child inside me is searching for anything—anyone, to clear the fog from the windows, and when she can’t see out, she searches for someone else to see in, for just a little while,

and i have always been the kind of woman who walks straight into people—i search their eyes, and their smile, and their hearts are open doors to me, but not every open door has a welcome mat on the floor, and why don’t i remember this, it would hurt so much less, and to some i have been skin, and form, a swell of hip and rise of breast, but nothing more and i have searched for the price tag that i may place on my heart in their words, and adjectives will not fill me up, and some people don’t use them often enough—their words, and others, again, use too many—and also too much, of you, and you will get lost in their caves searching for a way out of them, stumbling around in the dark, leaving tiny pieces of yourself on their walls, but i know now,

not to go back to search—for myself, or my heart, and it’s ok, because cave people won’t keep your heart and some of them won’t even know that it’s there, and

if you really want to find yourself, you need to wait for the darkest night when the milky way opens herself up before you like a shy lover, and then you must climb the highest mountain you can find—yes, do this in the dark, and you will skin your knees, and your bones might break, and there will be pain, and even loss, but you will find yourself here, yes you will, and you will be so much more than words that fall like warm honey, and so much more than form and beauty, and swell of hip and rise of breast, and all your lost pieces will return to you, and

even your heart will flutter right out of his cave and come to find you, when the light pours herself out over the horizon and then, when it’s all over and the work of placing your heart gently back where it belongs is done, then you must sit here a while and rest.

talk to the child inside your head and tell her that a woman does not need a string of pearls, or a ring, or the words of a man to hang around her neck, she only needs stars, and the light, and the warmth of her breath to know that she is everything and more, and she is enough.

— when the woman learned the lesson once again.

© Liezel Graham 2019.

Photograph by Eberhard Grossgasteiger.

courage, dear heart. you can do this.

you’ve changed, haven’t you?

all the truth that you once nailed to the inside of your heart — ran your fingers over every day when nobody was looking — none of it makes sense anymore, does it?

none of it.

and you’ve stared out of windows, and all those tiny cracks in your life, searching for the light, and for that thing that makes it all fall into place, and you’ve found it.

at last.

haven’t you?

and it doesn’t look like what you knew before, and it doesn’t look like anyone else’s, and how do you walk away from all that you’ve known?

and now, you’re afraid.

afraid of walking out your front door wearing your new life, knowing that they might not understand, and you’re lying there in the middle of the darkest thinking hours of the night, hoping they will see how lovely this new life looks on you, but all you can feel is fear.

why?

why are you so afraid of another’s eyes on your heart? have you not scraped enough pain from your skin to feel — to know, that it is ok for you to change? have you not discovered yet, that it is ok to change your mind about things — the biggest things, the smallest things, and even the holiest things.

you can change your mind about anything, really.

really.

because truth has found you in the most unexpected of places, and you have had to grow out of your skin, your birthday, your promises and your life, in order to know that you are only halfway there and suddenly, or maybe not, time has been shy, you realised that the joy that was once blooming in the middle of your heart, is dead, and has been for a while, and that living a lie will not bring it back to life.

only living, will, and

the light is out there waiting for you. waiting just for you to start putting down all the things that no longer fit into your hands, and your bones, and your mouth, and your eyes, and your life is there too, breathing in and breathing out.

with, or without you, and

you might have to undo a vow, or change holy books, or change the way that you have always ticked boxes, and loved yourself, but this can all be done, and

it is scary to stand there, naked from your bones to the tip of your heart, and yes, some of them will not understand, and yes, some of them will not be able to stay, and that is ok.

really, it is.

let them leave.

new people will come.

really — they will, because

do you know how beautiful your truth finally looks on you?

courage, dear heart.

you can do this.

— courage, dear heart. you can do this.

© Liezel Graham 2019.

Photograph by Kat Jayne.

how to believe in yourself.

of all the words

in the whole wide world,

and there are so many,

the ones

that you

allow

to live

inside your head,

are

the

most

dangerous words

in the whole wide world, so

you

must be

very careful

whose words

you pick up

with

your

bare

hands, and give a home to.

and some words,

especially stray ones,

will try

to make

you

feel

small

and

unimportant, but

you are not small.

you,

are so big

with kindness, and

you,

are so strong

with compassion, and

all your beautiful dreams

have made you

so very tall.

isn’t that amazing?

how big you really are?

so don’t you believe,

not even for a minute,

that you

are not

enough

for your life.

go,

and search for new words,

big words,

happy words,

words that smile at you

when you find them.

eat them up,

one by one,

until the inside

of your heart

is full of you.

—how to believe in yourself.

© Liezel Graham 2019.

Photograph by Orlando Vera.

Never forget how big you really are.

For someone very special down under, but for all of us too.

liezel

grow.

do not be afraid

to take up more space

when the light

has finally found you,

and your roots have grown.

— grow.

© Liezel Graham 2019.

Photograph by Hieu Hoàng.

Do not be afraid to take up more space when you’ve outgrown your boundaries, and your borders, and your dreams, and your beliefs, and all your hopes and fears, and everything you once thought impossible, and everything you once believed as truth — root down and take up all the space your new life needs.

Not everyone in your (old) life will be comfortable with this.

That’s ok.

Wish them well and grow your own way,

liezel

on tending hearts and soil.

gardeners — the ones who like to get their hands really dirty — are some of my favourite people in the whole world.

they are only concerned with what is growing outside their own front doors, but their hearts are big enough to encourage the smallest effort at planting-and-hoping-for-life.

they know that most of us just need water, food, a place for our roots, and lots of love and light — and then the magic happens.

they know that fruit trees, and flowers all have their place and that we are all different, but rooted the same, and

they spend all their energy tilling the soil they have been given, and sometimes the soil that has been taken from them, too, and they know that bad soil, much like a heart, can be fixed by adding a bit of this, and removing a bit of that, and

that good soil can wear out if it isn’t given a chance to rest.

and gardeners know that a little bit can be too little, and a lot can be too much, and that life lies in having just enough of what we need, and when we have more than we could ever use, we need to give it away, or it will rot, right there in our hands, and that sometimes the more we harvest, the more we get.

they know that plants are greenest where they are watered and cared for, and

they live each day by the seasons — to a gardener, every season has a beauty, and a function, all of its own — to everything there is a season,

and it all belongs in the big plan.

they have enormous hearts — the biggest, really, that delight in seeing life, reach for the light, through dark soil, and

they know how to push through a bad harvest, or a harsh winter, or a drought that will kill the joy right out of a heart — they know how to look for hope, and for life, and even for signs that it’s over — and it’s important to know when something is over.

doors need to be closed, as much as opened, sometimes.

and these are my people, the ones with dirt under their fingernails and hope in their eyes, even when that hope is held by a single thread, or a tiny seed, and mustard seed is good for hope, i’ve heard it said, and

it only takes one — seed, or heart, either one will do — to get a plant growing, and a mountain moving, and a heart believing that there is more.

it only takes one, and that’s when the magic happens.

— on tending hearts and soil.

Photograph by Gelgas.

A little freeform writing this afternoon, on one of my favourite things in the world,

liezel

the colour of your love (is violent).

the colour of

your love

blooms

red

on my lip, and

i walked into the door, again

last night.

the secret

soft

parts of me

hidden from the

light, a

love letter of

purple,

green,

and

blue.

an undying reminder, that

i belong to you,

forget-me-not,

until

death

us

do

part.

— the colour of your love (is violent).

© Liezel graham 2018.

The Colour of Your Love (is violent), is a poem about domestic violence.

This is a topic that I feel deeply about. It is not an easy topic to write about, but writing for me is cathartic and healing.

This poem was published in Brenda Magazine’s RED issue earlier this year and I was very pleased to have it feature in the magazine.

If you are affected by domestic abuse or violence, please know that there are organisations that can help you leave.

Wishing you healing,

liezel