courage.

i would like to say that

i look for beauty

everywhere

i go.

that i see it in the rebellious pout

of an old woman’s lips,

a slash of red

life owes her nothing.

has taken much

given more

she knows this truth

that it will all end at some point.

it will come to a sudden stop.

but

not

yet.

that will be me some day,

i say.

and i mean it.

and when i saw a young woman in costa,

freshly mothered

feeding her baby.

breast in tiny mouth

where everyone

could see,

but nobody was bothered

by a hunger being stilled

in their company.

such a quiet loveliness.

and that was me,

i say.

eleven winters ago,

but i had to leave the table.

my cup of hot tea.

my dignity.

to search for hidden places where the curve of my skin

as i fed my son

would not

offend

you.

if i could do it again

i would be

brave.

i would.

and i mean it.

and sometimes beauty

finds me first.

i do not always have to look for it.

such a quiet kindness.

dressed in old wellington boots,

she was

feeding

the mallard ducks bathed in low liquid sunlight.

casting her bread upon deep murky waters,

for the angry mute swans.

their cygnets

grey

unlived-in feathers

furiously

fluffing.

that will be me some day,

i say.

and i mean it.

still finding things

that need

to be

fed

even as they peck at my feet.

— courage.

© Liezel Graham 2019.

Photography by Evie S.

it’s ok, you can let go now.

how to heal a broken heart?

you must love again

something

someone

get up

dry your eyes

dust yourself off

loss, is just a season’s weight

not a calling until death

you were not born

to exist

on crumbs

now go!

someone out there

is searching

for you.

— it’s ok, you can let go now.

© Liezel Graham 2019.

Photography by Liezel Graham

if this is for you, may your heart find all the courage it needs to love again.

it’s ok, you can let go now.

liezel

scope

we sit on opposite sides of the waiting room

clutching our middle years

in our hands,

strangers

comparing stories of raising boys

they never seem to stop eating

do they,

from the minute they leave our bodies

so much life fills their skin.

we have given them everything that we have and more, and

perhaps because we are a hospital gown away

from being completely naked with each other,

we also speak

quietly

of the things that they might find

hiding

within our walls, and

how we hope

that they

don’t,

because we have sons to feed, and

we are hungry

to be

in their lives, and

we smile and we laugh

a little

in the shadow of the thing

that has a name

but doesn’t have ours,

yet

we hope

like all the women before us,

we walk barefoot here

in the valley, and

we all lose our shoes when we walk this road,

it doesn’t matter what your name is,

here

in this place,

we all fear the same, and

we follow the nurse to the room where they will tell us

our future

for a moment

you turn away

and i see it in your eyes.

later when i walk out of recovery

orange juice still sweet on my tongue,

i carry words in my hands

that breathe,

words that do not chase

me

yet

you are in the cubicle next to me

the borders that i have just left

behind

i never want to return to this place, and

i see you

curled up

into the shape of a foetus,

asleep

under the weight of the extra peace they pumped into your veins,

statistics say that it had to be one of us

the odds took more from you

than from me, and

i hope that you find the courage to chase away the

dogs of fear.

— scope.

© Liezel Graham 2019.

recently i had my ‘future’ told by a medical team.

i was the fortunate one who walked out with hope in my hands.

xx

Photograph by Leo Cardelli.

it doesn’t have to be perfect.

there are wars being fought all over the skin of the earth, and

tomorrow does not fit into my hand.

does not have my name written on it yet, but

today

a magpie in its dinner coat,

is having an icy bath

in a pothole

in the middle of the road,

fearless.

and isn’t all this beauty wonderful?

— it doesn’t have to be perfect.

© Liezel Graham 2019.

Photography by Jannet Serhan.

a wee monday scribble to remind you that despite it all, this world is a beautiful place…

liezel

peter mayer sings it beautifully over here,

https://music.youtube.com/watch?v=JHqv753oXnM&feature=share

i love you.

just as i was swallowing

the impossible blue

of the morning

sky,

the thing that knows my name

crawled

darkly

onto my lap, and

stayed

and for a moment

i was lost in every war

that ever

fought

me.

but you,

you with your three words

strung

on a sling,

your heart in your hands,

a pebble that slays.

— i love you.

© Liezel Graham 2019.

Photography by Flora Westbrook.

never underestimate the power of three simple words to fight big wars,

liezel

i have made beauty from everything they said was broken.

when i was in labour with you,

all

those

hungry

years of waiting,

the anaesthetist ran his hands gently down my spine.

his voice running over my pain like water,

has anyone ever told you that you have scoliosis?

yes, i nodded, right in the middle of a contraction that felt like it could force continents apart.

a woman knows when she is held up by imperfection.

is that why it hurts so much?

a murmur—yes—a stranger’s fingers moving up and down my vertebrae;

an attempt to tame the thing that was wild within my bones, right from the start, and

later, when the light broke hot pink and wild orange, all over our new life, you were a soft weight on my chest, and i was learning how to keep you alive with all the broken pieces that i had, and

all i could smell was heaven.

it was there in your hair, and in your cries, and the way that your fingers curled around mine, and

how could something like this, ever have been made in the dark?

all this beauty that was built, in spite of a foundation that is still tilted

rebelliously.

— i have made beauty from everything they said was broken.

© Liezel Graham 2019.

Photograph by Dominika Roseclay.

the beds in my grandmother’s house were heavy with love and i miss you.

the beds in my grandmother’s house were heavy with blankets and floral sheets—orange and purple and pink— that made me happy when i was eight, and nine, and six.

and again when i was twenty-one,

they were a cool, familiar weight on a cold night, and

here child, put a hot water bottle by your feet, or else you’ll catch your death, and i have never seen a winter such as this, and let’s have some hot chocolate before we turn out all the lights.

and all that love weighed the same as a soft, round body and it wrapped us up, and sleep was an easy thing to chase, then.

when you were four and i was six.

and now, i am on the other side of forty-six and you are forever forty-four, and i am pretty sure that’s cheating, and why are there no rules to this game, and

i have never seen a winter such as this, and

my sheets are white now, and unfloral, and i don’t really like purple, and every night i kick the duvet off my feet,

the air cool on my skin, so

that i can feel,

and move,

and

escape, if i need to.

there are things that are heavy in the dark, do you remember them?

and it turns out that it isn’t that easy to catch your death if it is not your time,

yet.

but if it is,

then it is.

and here we are,

you forever forty-four, and i am on the other side of six, and i am pretty sure that’s cheating, but i’ll let it go this time.

there are no rules to this game.

— the beds in my grandmother’s house were heavy with love and i miss you.

© Liezel Graham 2019.

Photograph by Jackson Jorvan.

a little bit of freeform poetry on a wednesday afternoon.

x