you are allowed to put your life down and rest.

you are not enough
to feed five thousand.

even three has been too much,
despite what others see.

have you felt a failure
because of this?

even God had to row to the other side of the sea
to escape.

and rest.

— you are allowed to put your life down and rest.

© Liezel Graham 2020.

Photograph by Kasper Lau.

MAJESTY 2020—an upcoming creative event in Nelson, NZ.

Friends, I am thrilled to announce that in April this year, I shall be taking part in an exciting creative event hosted by Atelier Studio Gallery in Nelson, NZ:

MAJESTY 2020—an Art & Faith Incubator.

I shall be facilitating a workshop on ‘Exploring Vulnerability and Courage in Creativity.’

In this workshop we shall explore how to step deeper into ourselves as CREATIVES in order to explore the courage required to live, and thus create, vulnerably, and how this allows us to encourage and bring hope to others.

I am in wonderfully fine company with David James (host and Visual Artist), Simon Hunter (Visual Artist), Jill Smith (Visual Artist & Art Therapist), Mark Raffills (Poet) and Dean & Jo McQuoid (Worship Leaders).

It’s going to be a wonderful time of sharing, learning and creating!

Click on the link below for further details.

https://mailchi.mp/9221e4cb4346/majesty-2020-an-art-faith-incubator

how to draw water for someone who is thirsty.

it is entirely possible to love someone

without sending God’s name out first,

without reminding them

of how their hands have failed

to hold water from the well,

and

how you are the answer.

if you love them right,

they will eventually in God’s own time

unfurl

untwist

unlearn.

they will grow beyond your reach

and

the Light will find them.

if you love them right,

you won’t have to use

God’s name

once.

— how to draw water for someone who is thirsty.

© Liezel Graham 2020.

Photograph by Amal Ali.

womb.

i have always been

a misfit

and

a rebel,

a dweller on the fringe,

a woman who refuses

to submit, or

fit

into a box,

and

why do i always have to ask

so

many

questions, it makes you uncomfortable, and

angry,

and,

why can’t i just obey?

it is a woman’s place,

don’t you know, because

the bible tells me so, and

does He still love me,

the song says He may, but

you

say

no, and

honestly, i don’t know anymore.

and there are times,

at least 365 moments in a year, where i wonder if it would be easier

to just give in

and

be

what you want me to be, but

already i can feel the weight

on my bones, and my heart knows

that it is strong enough

to hold,

what i once thought

was truth, up to the heavens

and say,

this is not enough, and

there are people here who need to be loved, and you say

no.

but, hear me now

this is not enough.

can you hear me?

we are not being enough.

and i have examined holy words,

hoping to knit them into a blanket,

soft and big enough

to cover the naked heart

of a broken woman, but

it was too

flimsy,

and

threadbare.

and they said,

all the holy ones,

that she should be left

on the other side of the road, because her sin is too great,

and we know best.

and i said,

(but nobody cared

what I thought),

hasn’t this been done before?

in another time and place,

and didn’t someone write

it down on a scroll,

perhaps whilst eating of

the bread and the wine,

and didn’t God decide

that it was not enough?

but i am wrong, they say.

what do i know.

i am just a woman, after all

and where is my husband,

and i do not belong

to the council — that holy club,

where decisions are made

about

wombs

and

other

uncomfortable words

that walk around on two legs

in the dead of the night,

rape

and

incest, and

how they may only be managed by men,

and we must protect life, but

when there are two,

who wins?

not me.

not girls

not women,

only men, it seems.

and,

also there was that scene

a long time ago,

and,

also yesterday

and today

and tomorrow,

where a woman was caught,

and still is, every day, everywhere

red-handed in sin, and

perhaps you have heard about her?

and of course,

there must have been another,

a man,

but we don’t hear about him at all,

and

she was caught sinning.

a different sin to theirs, and

there was no love on that day,

either, only

rocks

and

laws

but Mercy was there,

quietly

sitting in the dust,

singing a love song over her,

that woman,

me.

but,

i think we don’t know

the words to that song anymore, and

all we know now

is that we are not free, and

girls will know,

and

women will know,

we are not free.

and here i sit

holding

your truth in my hands, but

it is not mine anymore,

and you are disappointed,

i know.

but i have folded it

into halves

and

again

into quarters,

in the hope

that i might make it small enough

to fit into my pocket,

so that i can take it out with me

and

shake it out on a cold night

to cover a naked woman,

or a child,

who has had everything stolen

from her,

but it is still not enough.

and i think

we are all cold, now.

— womb.

© Liezel Graham 2019.

on tending hearts and soil.

gardeners — the ones who like to get their hands really dirty — are some of my favourite people in the whole world.

they are only concerned with what is growing outside their own front doors, but their hearts are big enough to encourage the smallest effort at planting-and-hoping-for-life.

they know that most of us just need water, food, a place for our roots, and lots of love and light — and then the magic happens.

they know that fruit trees, and flowers all have their place and that we are all different, but rooted the same, and

they spend all their energy tilling the soil they have been given, and sometimes the soil that has been taken from them, too, and they know that bad soil, much like a heart, can be fixed by adding a bit of this, and removing a bit of that, and

that good soil can wear out if it isn’t given a chance to rest.

and gardeners know that a little bit can be too little, and a lot can be too much, and that life lies in having just enough of what we need, and when we have more than we could ever use, we need to give it away, or it will rot, right there in our hands, and that sometimes the more we harvest, the more we get.

they know that plants are greenest where they are watered and cared for, and

they live each day by the seasons — to a gardener, every season has a beauty, and a function, all of its own — to everything there is a season,

and it all belongs in the big plan.

they have enormous hearts — the biggest, really, that delight in seeing life, reach for the light, through dark soil, and

they know how to push through a bad harvest, or a harsh winter, or a drought that will kill the joy right out of a heart — they know how to look for hope, and for life, and even for signs that it’s over — and it’s important to know when something is over.

doors need to be closed, as much as opened, sometimes.

and these are my people, the ones with dirt under their fingernails and hope in their eyes, even when that hope is held by a single thread, or a tiny seed, and mustard seed is good for hope, i’ve heard it said, and

it only takes one — seed, or heart, either one will do — to get a plant growing, and a mountain moving, and a heart believing that there is more.

it only takes one, and that’s when the magic happens.

— on tending hearts and soil.

Photograph by Gelgas.

A little freeform writing this afternoon, on one of my favourite things in the world,

liezel

where i find holiness. where i am enough.

i have tried

to carve (your) rules

into the back of my eyes,

.

so that i might belong.

.

but

an owl

is calling

outside my

bedroom window,

. a sacred,

nocturnal song.

.

and

in

this

holiness

there is nothing wrong

with me.

.

— where i find holiness. where i am enough.

.

© Liezel Graham 2019.

.

Photograph by Eberhard Grossgasteiger.

on the inside (i am outside).

i wish that i could say

that i have

all the answers.

.

or perhaps,

. just a few.

that would be good.

.

that i have

. somehow,

grown fat with wisdom.

.

i have neither.

.

. all i have in my hands

are words.

.

. and none of them are smooth.

.

they are hungry words

that know how to search

when the lights have gone out.

.

they are strong words

that know how to break down walls,

one stone at a time.

.

they are brave words

that know how to open windows,

when all the doors are locked.

.

they are tender words

that know how to soothe what is broken,

because they remember.

.

. because,

i remember

. what it is to need water

and hope.

.

and i have

somehow

stumbled right into the middle of my life

still carrying a bag of questions.

.

. rebellious ones at that.

or, so i have been told.

.

not fit for one who stands in the shadow of the cross.

.

. my coat,

is too bright

or too faded

or too there-is-something-not-quite-right

and

we can see right through that cloak

and

she does not fit in,

. here on holy ground.

.

i know.

. i know.

.

but i can pour shame

onto paper

in

the

shape

of grace.

.

and i can string words into lights

that stubbornly lead the way out.

or up,

. if you believe.

.

and

this relentless unmasking

of flesh

and

bone

and

heart

and

soul

into words,

. is all that i have been given

in exchange

for

all

that has been taken.

.

and still

it is not enough?

.

.

—on the inside (i am outside).

.

.

© Liezel Graham 2019.